3 November 2011

{An Eaton Square Apartment´s Living Room; How Would I Decorate it?}


         One of the best addresses in London, and the jewel in the crown of the Duke of Westminster’s Grosvenor Estate, demand for property Eaton Square refuses to abate. As one of the few remaining residential central London garden squares, the houses here have long been frequented by the great and the good, from politicians to film stars.

          The iconic Grade II listed stucco façades, pillars, and balconies all set behind immaculate black railings speak of a time when London was a more civilised place, and in fact one of the most attractive things about Eaton Square is its history.Developed by Thomas Cubitt in the 1820s, its location made it the perfect stopping off point en route to the Kings Road, then used as a private road by Royalty headed for Kew or Hampton Court. This made Eaton Square the place to live if you wanted the ear of the monarch, and although owners’ direct influence with the Crown may have somewhat diminished, an element of cache remains. ‘It’s arguably the most famous residential location in the world,’ says Michael Davis from Ayrton Wylie, who often sell property on the square.





A PAIR OF LOUIS XVI CHAIRS
A PAIR OF LOUIS XV STYLE TAPESTRY COVERED GILTWOOD BERGERES
A PAIR OF ITALIAN BLACK AND GILT-JAPANNED TOLE PEINTE LAMPS
A PAIR OF ITALIAN BLACK AND GILT-JAPANNED TOLE PEINTE LAMPS
A PAIR OF LOUIS XV STYLE WALL APPLIQUES     
 A PAIR OF LOUIS XV STYLE WALL APPLIQUES
A PAIR OF GEORGE III STYLE GILTWOOD AND GESSO DEMI-LUNE PIER TABLES                   
      A PAIR OF GEORGE III STYLE GILTWOOD AND GESSO DEMI-LUNE PIER TABLES             

A CREAM WATERMARK SILK SOFA                                    
A CREAM WATERMARK SILK SOFA
TWO PAIRS OF TAUPE SATIN STRIPED TAFFETA CURTAINS       
TWO PAIRS OF TAUPE SATIN STRIPED TAFFETA CURTAINS
AN AUBUSSON STYLE CARPET                                    
AN AUBUSSON STYLE CARPET
FOUR JAPANESE LACQUER BOXES AND A BRONZE CENSER
FOUR JAPANESE LACQUER BOXES AND A BRONZE CENSER
A CHINESE LACQUERED WOOD BIRDCAGE
A CHINESE LACQUERED WOOD BIRDCAGE
A GROUP OF ORIENTAL BLUE AND WHITE CERAMICS FROM THE XVIII
A PAIR OF ELECTROPLATED THREE-LIGHT CANDELABRA                                                   
            A PAIR OF ELECTROPLATED THREE-LIGHT CANDELABRA           
FOUR WILLIAM & MARY STYLE SILVER-PLATED TWO BRANCH WALL
LIGHTS FROM THE XIX                              
FOUR WILLIAM & MARY STYLE SILVER-PLATED TWO BRANCH WALL LIGHTS
SOME EDWARDIAN PHOTOGRAPH FRAMES
AN EDWARDIAN SILVER PHOTOGRAPH FRAME
A GLASS AND ORMOLU CHANDELIER                                    
A GLASS AND ORMOLU CHANDELIER
A FRENCH GILT GESSO OVERMANTEL MIRROR                                    
A FRENCH GILT GESSO OVERMANTEL MIRROR
A SOUTH EUROPEAN RED JAPANNED BUREAU BOOKCASE                                    
A SOUTH EUROPEAN RED JAPANNED BUREAU BOOKCASE
A PAIR OF LARGE CHESTERFIELD SOFAS
A PAIR OF LARGE CHESTERFIELD SOFAS
FRENCH ABUSSION CUSHIONS
SEVEN FRENCH AUBUSSON TAPESTRY CUSHIONS
TWO ENGLISH PARIAN BUSTS, A FIGURE OF A WATER-CARRIER AND A BISCUIT PORCELAIN CACHE-POT                          
          TWO ENGLISH PARIAN BUSTS, A FIGURE OF A WATER-CARRIER AND A BISCUIT PORCELAIN CACHE-POT
A LARGE WALNUT BREAK-FRONT OPEN BOOKCASE
A LARGE WALNUT BREAK-FRONT OPEN BOOKCASE
PAINTINGS FROM XVIII ARTIST JOSHUA REYNOLDS WHICH REMEMBER THE SLPENDOUR OF GEORGIAN ERA.
A GEORGE III REVERSE-GLASS PICTURE OF QUEEN CHARLOTTE
AND FINALLY...
A CHINESSE WALLPAPER WITH TREES, BIRDS AND A GREEN BLACKGROUND.

A SET OF CHINESE APPLE GREEN GROUND AND POLYCHROME-PAINTED WALLPAPER

{The last antiques are from Christie´s England Sales in Belgravia.}                                

                            


2 November 2011

{The 40s of a Princess}


"Grace was horrified to reach 40" - said her good friend Rita Gamm. Grace Kelly, during her time in Hollywood, looked askance the future. Fortunately she hadn´t to suffer the rejection of the film producers for not being young, she became a princess.

       "I dread to think when I will have to get up at 5 am for makeup" - said the young Grace Kelly in an interview in 1955.

       But Grace, after giving birth to her third daughter, Stephanie, was more beautiful than ever. It´s true that she had trouble saving her weith maintenance , but she had found a unique style in France, the american princess was stunning. Not even the young Princess Paola de Liege - current queen of Belgium-, considered spectacularly beautiful by the media, managed to overshadow Grace.

     In 1969, when she had celebrated her 40th birthday in november 12th, Cecil Beaton taked her a photoshoot in the Palace of Monaco´s garden. She appeared with the only neccesary makeup, minimal style and a french twist.

gracie-bird:

by C.BEATON





{Source: Cecil Beaton 1969/Vogue FR//Sheila Grace´sPlace}

31 October 2011

{Interview with Grace Kelly as She Leaves for Wedding}

 

Click this link if you can not see the player.

The video taked place in New York Harbor, in early April 1956. Weeks before the wedding in Monaco. She was stunning in every moments of her life, but what a elegance outfit: the white hat and the short globes. Miss Kelly buyed all the appearel in Phoenix (TX), Los Angeles (CA) and in New York city. Some of her dresses were used in Hollywood and others were designed by her closed friend Helen Rose (who also designed her wedding gown) and Edith Head.

To Iwishiwasaninconclast, Hollyjacks, Mynervescannotstandadrink, DosesofGrace all of you makes my day so happy, THANK YOU LADIES.

{Everything in its place}


       
                                     




29 October 2011

{The Secret Garden}






{Eclectic}

{Bad Days, Neccesary Reflexion}


Today was a strange day. Because while I've been immersed in my inner sadness, and I have also been victim of the frailties of the idealistic human, sometimes, I have been aware of the Truth, millimeter part, very small.

        We expect a lot fromothers, and they usually suck the blood ourselves. We put our expectations in others, we envision our satisfaction at the approval of friends, or family, or partner. But it is a mistake it is fatal.

        Happiness, to the extent of ecstasy, gratitude to God, our nature is nearest to the pleasures that it gives selflessly. There is no question of receiving love, to find or not find it. The key is located in the method, on the way to go. Give love, give love day and night, to give love in summer or winter, to give love to a friend or your boyfriend, give love. Giving love. When you are giving, we see that even being selfish, we recover the investment in ourselves, not others.

enchanting:

Interior with Young Woman from Behind (1904)

"For having lived in Westminster - how many years now? over twenty, - one feels even in the midst of the traffic, or waking at night, Clarissa was positive, a particular hush, or solemnity; an indescribable pause; a suspense (but that might be her heart, affected, that said, by influenza) before Big Ben strikes. There! Out it boomed. First a warning, musical; the the hour, irrevocable. The leaden circles dissolved in the air. Such fools we are, she thought, crossing Victoria Street. For Heaven only knows why one lives it so, how one sees it so, making it up, building it round one, tumbling it, creating it every moment afresh; but the veriest frumps, the most dejected of miseries sitting on doorsteps (drink their downfall) do the same; can't be dealt with, she felt positive, by Acts of Parliament for that very reason: they love life. In people's eyes, in the swing, tramp, and trudge; in the bellow and the uproar; the carriages, motor cars, omnibuses, vans, sandwich men shuffling and swinging; brass bands; barrel organs; in the triumph and the jingle and the strange high singing of some aeroplane overhead was what she loved; life; London; this moment of June."

"Mrs Dalloway" by Virginia Wolf.